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Meet the Filmmaker: Annanya “Andy” George, “1000 Bad Films”

Q: Why did you become a filmmaker?
AG: I started out as a professional magician, I would film YouTube videos every weekend with my best friend at the time, I would then get home and cut them into tiny 10-15- minute videos. Over time, I grew to love the film medium and, what I could achieve through cutting more than the magic. So, I ditched the cards and made a movie. It wasn’t good, but that’s when I think I started becoming a filmmaker. Now, looking back at it, I realize that its mostly because I felt like I had something to say, but magic wouldn’t let me do that, Movies do. It’s easier to show people what I’m feeling or thinking than it is to tell them.

Q: What are we going to see at the EFP? Has it screened elsewhere and what are your
plans for it?
AG: You’d be watching my student documentary, 1000 Bad Films, in many ways it’s my first official documentary. This was made back when I was still trying to find my visual voice. The one thing that has carried over is my affintiy for humor through cuts. The film has been screened at an online film festival called the “Hollywood Verge Film Awards” and it’s screened at Century theatre in Boulder, as a part of a student film gathering organized by some friends who work there. I have no plans for it. It’s probably going to be an extra feature on a DVD or Blu-ray of a movie I make in the future.

Q: What else are you working on?
AG: Quite a lot actually, I’m currently in the process of writing my short film, Schadenfreude, which is about how massive death is to us as a concept, but in reality, it’s not at all as massive and gripping as one might think. This would probably be expanded into a feature, then there’s “Un-Indian Indian”, a semi-autobiographical film about being Indian but not accepted by the Indian community outside, or even, inside of India. Then, I’m in the process of writing 3-4 features that I’m going to keep on the back burner, not announcing them yet. I’m in Post for my second documentary “Open Mic”, which is about the underground Stand up comedy community in Boulder, CO. We’re shooting a TV pilot in early July – late August of a show called Legacy. This show was the reason I started a YouTube channel in the first place. And Finally, one of my best friends and I are finishing the final draft of a musical we wrote together, called The Millennial Paradox. He did the music.

Q: Tell us one weird thing about you and/or your movies?
AG: Weird thing about me is that I’m a scatterbrained talker/thinker. So, if I’m super excited, say goodbye to my sentences making sense to you. Most often (not in the film you’ll see at EFP), my movie’s thesis statement or introduction to who our protagonist is as a person, comes in the opening scene before the title.

Q: Where can people go to find out more about you and your work?
AG: My website www.annanyageorge.com is a good place to start, there’s the usual Instagram @annanyageorge and a Youtube channel that I would link here but I’m in the process of starting a new one, hopefully It’d be up by the time this post goes up, the link to my youtube would be on my Website and that link will get updated the day the new channel is up.

Q: Is there anything you’d like to say about The Emerging Filmmakers Project?
AG: Thank you. I never thought that my movie (any of them) would be screened at a legitimate, respected theatre. It’s awesome to see you guys do this and I wish there was a ton more of you guys out there so that broke, hungry, film people like myself, can actually take pride in their work again. I hope to come back with a better film (if that’s an option) and thank you times a thousand.

1000 Bad Films will screen at The Emerging Filmmakers Project on Thursday, June 20th at The Bug Theatre.

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Meet the Filmmaker: Rion Smith, “Kutkh”

Q: Why did you become a filmmaker?
RS: To tell stories and build worlds.

Q: What are we going to see at the EFP? Has it screened elsewhere and what are your plans for it?
RS: Kutkh – an old Norse Raven God arises after being summoned!

Q: What else are you working on?
RS: Building a whole monster world.

Q: Tell us one weird thing about you and/or your movies?
RS: I can speak Mayan – product of the peace corps, and usually use some of it in my movies.

Q: Where can people go to find out more about you and your work?
RS: Youtube.com/creepytvchannel

Q: Is there anything you’d like to say about The Emerging Filmmakers Project?
RS: You guys kick ass!!!

Kutkh will screen at The Emerging Filmmakers Project on Thursday, June 20th at The Bug Theatre.

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Meet the Filmmaker: Grant Worden, “Poetic Burden”

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Q: Why did you become a filmmaker?
GW: I am attempting to become a writer/director/producer (filmmaker) in order to have the freedom, knowledge, and power to create a story. I would like to create journeys, characters, and worlds that people can wake up and run around in. Film/video is a powerful tool, I have only scratched the surface on how to use it in my own upside-down-backward-sort-of way. I enjoy the team aspect of the film industry and will continue to write and direct passionate stories.

Q: What are we going to see at the EFP? Has it screened elsewhere and what are your plans for it?
GW: Poetic Burden is a Ghimself Productions and Burning Script Pictures 2018 Denver 48-Hour Film Project submission. Our entire film was written, shot, edited in 48-hours (Friday evening -Sunday afternoon). This sleepless weekend challenges your team’s drive as filmmakers, yet also empowers your team to create. Poetic Burden, follows a crippled sheriff’s code when he learns his daughter is being held, hostage.

With this family-like cast of Eric Tausch, Dalena Nguyen, Matt Fellers, Julia Winstead, and a multi-talented crew, I am proud to call “Poetic Burden” my Victor, Colorado Western.

2018 48-Hour Film Project Parameters:

  • Randomly Selected Genre – “Western”
  • Prop – “a stuffed wallet”
  • Line of Dialogue – “Stop copying me”
  • Main Character’s name – “Ruby or Rubin Starr”

Q: What else are you working on?
GW: I currently work as a Production Assistant and 1st AD in the commercial, narrative, and documentary film industry here in Denver. I am fortunate enough to work here in Colorado and all over the United States. Between those jobs, I am writing and rewriting original feature and television screenplays. Beyond commercial client projects and wedding videography, this Summer marks our team’s 4th 48-Hour Film Project year. It will be fun to “up the production value” this year and continue to create.

Q: Tell us one weird thing about you and/or your movies?
GW: Not weird, but the best part of the production… filming in the mountain town of Victor, Colorado. It was a wonderful traveling experience due to the filming location, The (run-down and abandoned) Black Monarch Hotel run by Timber Smalls. The old historic hotel has since been remodeled!!! CHECK IT OUT!!!

Our August filming date helped us lock down this amazing, creepy, and dated location. The “Western” feel would not have come through without Timber Smalls and that abandoned hotel. The locals of Victor were friendly and accommodating. There were multiple helping hands who just wanted to be involved and understand the process. I have known a film set to bring people together quickly and our time in Victor, CO was unforgettable. Thank you to everyone who was involved.

Q: Where can people go to find out more about you and your work?
GW: Thank you for the follow / clicking around. Feel free to reach out and connect, collaboration is key!

Q: Is there anything you’d like to say about The Emerging Filmmakers Project?
GW: The Emerging Filmmakers Project has been a great supporter of my work as well as fellow filmmakers, colleagues, and creatives, it is my “home theatre.”
I cannot explain how much I appreciate participating in the monthly EFP event. The Bug Theatre, in general, is a hub of comedy and drama works. One of my favorite aspects of the EFP is, the evening invites filmmakers to share their work, behind the scenes stories, camera suggestions, production secrets, as well as offers a chance to reflect on the writing/character process. Cheers to more to come!

Poetic Burden will screen at The Emerging Filmmakers Project on Thursday, June 20th at The Bug Theatre.

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Meet the Filmmaker: Matt Struck, “The Sketch Gen 9000”

Q: Why did you become a filmmaker?
MS: I was given a video camera when I was 13 years old and I infatuated with making films. Me and my friends would get together and just make fun short movies. It wasn’t until my late 20s that I started making them seriously and in recent years I have realized I loved being able to tell stories.

Q: What are we going to see at the EFP? Has it screened elsewhere and what are your plans for it?
MS: I will be screening a sketch called The Sketch Gen 9000. The sketch will live in a full episode (22 minutes) of the show Really Late Night with Matt Struck. It’s a comedy show that weaves sketch comedy and narratives together. It has not been screened anywhere before so this will be the first time the public can see it.

Q: What else are you working on?
MS: I am working full time on Really Late Night with Matt Struck, a comedy show about a tv host who has a late night show public access television. Matt’s personal life falls apart because alcohol and substance abuse but he is determined to keep the show going.

Q: Tell us one weird thing about you and/or your movies?
MS: While I was working at a movie theater I once sold a hot dog to Alicia Keys.

Q: Where can people go to find out more about you and your work?
MS: To find out more about me visit reallylatenight.com or check out my instagram @mattstrucktures

Q: Is there anything you’d like to say about The Emerging Filmmakers Project?
MS: I love that Denver has such a vibrant and supportive community thanks the EFP!

The Sketch Gen 9000 will screen at The Emerging Filmmakers Project on Thursday, June 20th at The Bug Theatre.